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Woman with a Movie Camera: My Life as a Russian Filmmaker

About this product Product Information A fascinating autobiography that tells the intertwining stories of one of Russia's best-known documentary filmmakers and the eventful half century of Russian history she has recorded. Additional Product Features Table of Content. The film eventually led to one of the biggest food companies in the world changing their policies.


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Hard to get more influential than that. The Thin Blue Line Acclaimed documentary filmmaker Errol Morris was working as a private detective when he began investigating a prosecution psychiatrist named Dr. Hidden motives, withheld data, and questionable interpretations of the facts are everywhere, and each interview invariably creates more questions than it answers. Relying on interviews and archival footage from the likes of Mick Jagger, Bruce Springsteen, Prince, David Bowie, Sting, David Byrne, and Phil Spector, the film proves a rollicking tribute and provides a new perspective on some of the most familiar music of the past century.

As of , the series is now at 56 Up. The original hypothesis of the series, which was initially commissioned by the BBC, was that class structure in the U. Waltz With Bashir In this animated documentary, Israeli filmmaker Ari Folman struggles to make sense of his experience as a soldier in the Lebanon war. The War Room Filmmakers D. George Stephanopoulos and James Carville dealing with unforeseen problems and negative press, as their candidate is saddled with accusations of adultery and draft-dodging.

The true focus of this watchful, frankly admiring film is the Clinton campaign staff, with James Carville and George Stephanopoulos. Why did he misconstrue the timeline of his improprieties despite the very real likelihood that more sexy pen pals would come forward? Why, for that matter, was he sending dick pics to strangers at all? West of Memphis In , three teenagers were convicted of murdering three young boys in West Memphis, whose bodies apparently showed signs of torture and ritual assault.

Beginning with an examination into the police investigation, filmmaker Amy Berg brings to light new evidence surrounding the arrest and conviction of Damien Echols, Jason Baldwin, and Jessie Misskelley. All three were teens at the time and lost 18 years of their lives after being wrongly convicted and imprisoned. The failures speak for themselves.

These Are the 66 Best Documentaries of All Time

Phone Addiction? All rights reserved. Most Shared. Photo: Everett Collection. Facebook Pinterest. Below, in alphabetical order, the 61 best documentaries of all time. American Movie Bill Cunningham New York. Burden of Dreams. Don't Look Back. Enron: Smartest Guys in the Room. Exit Through the Gift Shop. F for Fake. Gimme Shelter. The Gleaners and I.

Grey Gardens. Grizzly Man. Harlan County, USA. Hoop Dreams. How to Survive a Plague. There is an issue raised in the film about Morrison challenging the White Male Gaze. Yet you are a white male filmmaker. I was critically aware of my own white male gaze while making the film. I surrounded myself with people who could question me, and my decisions, and ideas that came up in the making of the film. Words have power. You are a photographer and filmmaker.

Images have power for you. Can you talk about how as a visual artist, you create d such a powerful portrait? Look at this painting and get the feeling of what was being said. Kara Walker and Lorna Simpson. You feature Morrison in direct address. Thematically, you focus on specific periods in her life.

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Then you illustrate her words — and the other interviewees — with photographs, artwork, and clips. I have a background in art history at Columbia, and I have been a photographer for 40 years. What I did with this film is different than any other of my films. The main subject is looking directly at camera; the other [interviewees] are looking off camera.

They are taking about her, but she is talking to us. It gives you the feeling that Toni is telling her story, which I wanted it to be. Not me telling her story. She has such elegance.

You really capture that with your camera. If you could look at the interviews, hours of Toni talking, they are mesmerizing. The film could have been 10 hours long.